I liked this book. I hate to use words like "liked" or "enjoyed" when refering to a book. For me, books should be much more than that. I like books that I can't stop thinking about, that days after I've finished I find myself thinking of those characters, people who are very real to me. I love books that make me so nervous and make my heart break, books that challenge my way of thinking and ask tough questions. So...this book was a "nice" read. I "liked" it. I "enjoyed" it. Get my drift....
It's 1906 and 16-year-old Mattie Gokey is at a crossroads in her life. She's escaped the overwhelming responsibilities of helping to run her father's brokedown farm in exchange for a paid summer job as a serving girl at a fancy hotel in the Adirondacks. She's saving as much of her salary as she can, but she's having trouble deciding how she's going to use the money at the end of the summer. Mattie's gift is for writing and she's been accepted to Barnard College in New York City, but she's held back by her sense of responsibility to her family--and by her budding romance with handsome-but-dull Royal Loomis. Royal awakens feelings in Mattie that she doesn't want to ignore, but she can't deny her passion for words and her desire to write.
At the hotel, Mattie gets caught up in the disappearance of a young couple who had gone out together in a rowboat. Mattie spoke with the young woman, Grace Brown, just before the fateful boating trip, when Grace gave her a packet of love letters and asked her to burn them. When Grace is found drowned, Mattie reads the letters and finds that she holds the key to unraveling the girl's death and her beau's mysterious disappearance. Grace Brown's story is a true one (it's the same story told in Theodore Dreiser's An American Tragedy and in the film adaptation, A Place in the Sun), and author Jennifer Donnelly masterfully interweaves the real-life story with Mattie's, making her seem even more real.Mattie's frank voice reveals much about poverty, racism, and feminism at the turn of the twentieth century. She witnesses illness and death at a range far closer than most teens do today, and she's there when her best friend Minnie gives birth to twins. Mattie describes Minnie's harrowing labor with gut-wrenching clarity, and a visit with Minnie and the twins a few weeks later dispels any romance from the reality of young motherhood (and marriage). Overall, readers will get a taste of how bitter--and how sweet--ordinary life in the early 1900s could be. Despite the wide variety of troubles Mattie describes, the book never feels melodramatic, just heartbreakingly real.